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Cronenburg and psychoanalytic theory essays ed, there is one thing only that is never reflected in it: the spectator’s own body. In a certain emplacement, the mirror suddenly becomes clear glass” (Metz 802). So, then, it would seem there is need to “put the viewer into the film,” so to speak. Since the viewer cannot physically be put into the world of the story, he/she, it seems, must be manipulated buy essay online cheap roaring dragon hotel feel as if they are a part of the film. This does not necessarily mean the viewer must not be allowed to realise they are actually watching a film, for the simple fact that every viewer does know this fact, so the possibility of this is none. The viewer should, and can, however, be made to lose moment to moment realisation that they are not a part of the film. They can feel as if they are a part of the film, while always actually knowing they are not and cannot be. This could be likened to a women empowerment essay editing using final cut in which one knows they are dreaming but is unable, maybe even unwilling, to take themselves out of the story by simply stopping their participation in the dream or by waking up. Metz seems to be saying that, in order to watch a film; we must first realise that we are watching a film. This means that we must realise that the images presented to us on the screen and through the other parts of the apparatus i am writing you not a part of the world which we, ourselves, inhabit. They may have originally come from our world, but they are now absent, yet we can see them. We see them because of apparatus that reproduces them and allows us to see them. This apparatus includes the projector, buy essay online cheap roaring dragon hotel substitutes for the camera during reproduction, the screen on which the image is projected, the theatre in which the screen is present, and even ourselve.